Friday, August 6, 2010

Simplicity Rules

Key for great photos : simplicity .. looks for simple things around you . Dont try to capture anything in the frame. Put one or two element , combine it with lighting and forms and there you go.

Shadow Mountain Lake, Colorado - Sunrise

Tamron 18-270mm f/3.5-6.3



This monster lens is a perfect all-rounder , great for DSLR beginner looking to expand their kit. It is built specifically for DSLRs and has a 35mm equivalent of 28-419mm. With Vibration Control means you will be able to take sharp shots even at the long end of the lens. With Tamron's light yet sturdy build quality this is a brilliant second lens - you might never need another.

Sample Photos:

OLIVER BORDER COLLIE al mare canon eos 40d + tamron 18 270 mm stabilizeb vc di II

Thursday, August 5, 2010

Wildlife at Your Home

My little dog
My little dog by -=RoBeE=-, on Flickr

You dont need access to exotic wildlife , show-jumping horses or trained canine athletes to photograph animals in action. If you , a neighbour or a family member has a pet , you have a ready made test subject to practise with. Enlist an assistant to act as your animal entertainer and arm them with treats and toys to keep your subject interested. Use a feather tied to some fishing line to encourage a feline model to run and jump or ask someone to throw a ball for a canine subject so you can practise your panning technique. The more homework you do , the better prepared you will be when you do manage to get out on that big wildlife safari

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Tuesday, August 3, 2010

Wide angle lens focal length

If your shortest focal length is provided by a kit lens , consider adding an ultrawide angle zoom to your bag. The expanded field of view can be useful when shooting in cramped locations , for including more people in a group photo or for creating dynamic images that are not possible with the standard zoom lenses.

Is It Safe To Come Out Now?
http://www.flickr.com/photos/sammers05/

A 10mm to 12mm focal length produces a remarkably wide field of view of 99 degrees or greater . That can be useful for including more subjects in a single photo. But it is also great for making images with entirely different visual effects.

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Dont Forget about the Foreground

Something many people looking to improve their landscape photos should do is to use a proper foreground. Of course, you can take a beautiful ocean or sunset and I’m sure it looks lovely. Still, it likely looks just any other ocean or landscape photo that millions of other people have taken. You should try being a little more unique.

SUNFLOWER'S SUNSET

Like a ninja, use the surrounding objects to your advantage. If you’re on a beach, see if you can stand near a cool rock formation, jetty or dock and place that in the foreground. Remember, you don’t want to overpower the main subject of the ocean or sunset with these foreground objects, but instead you want them to complement the main subject and enhance the way it looks.

Monday, August 2, 2010

Flower Abstract : Simple Yet Beauty

Just got this photo while ago. I love the beauty of it .. simple , colourful and abstract. Some day i will make this kind of photo :)


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Sunday, August 1, 2010

Using Polarizer For River Photos

One Leaf at a Time

Colours
A polarizing filter will give all colours a boost , not just primary hues. In this case , the effect is subtle but the filter has added punch , making the foliage appear more lush and enhancing the greens and browns on the stones.

Shutter Speed
Polarizers reduce the amount of light entering your camera , which makes for longer shutter speeds. This can be a problem , but in this particular instance the longer speed has a pictorial benefit , adding extra blur to the water.

Reflections
Glare for non-metallic surfaces is ubstantially reduced by a polarizer. In addition to reducing distracting highlights this also ensures you get more detail in key parts of your images, particularly those that include water

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Friday, July 30, 2010

Play With The Light

Too much contrast makes it difficult to get a good picture. This is true when sunny conditions exist. To narrow the contrast range, use fill-flash or a reflector to add light to the shadow areas. An alternative is to use a diffuser to soften the light. Any type of translucent,white material works fine. Collapsible disks that fit in a camera bag are marketed for such purposes.

I love flower so much...

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Sunday, July 11, 2010

Camera Lens To Take On Your Safari

So you've booked your once in a lifetime safari trip to Africa and now your thoughts turn towards photographing all the wildlife you are going to encounter on your adventure.

It would be a great shame to come across your first African pride of lions and not have some decent pictures of the memorable event to show your friends and family back home.

Unfortunately many people who go on safari don't realize that the camera lens you take with you will be the deciding factor between getting wildlife photos where the subject is an unrecognizable blob in a sea of vegetation compared to a crisp, tightly framed image of that black maned leader of the lion pride.

I've been practicing wildlife photography on safari for over twenty years now and I've learnt which are the best lenses to arm yourself with when you go into the African bush to capture lasting, quality images you will be proud to display to anyone.

My recommendations here are for the occasional wildlife photographer such as someone going on an African safari and not for professional wildlife photographers as they have different needs when it comes to camera lenses because they take photographs for a living.

To help you choose a lens to take with you on safari, here is a list of the factors you need to take into account before putting your money down...

1. Size Of The Lens

Anything less than a 300mm lens for the big game you will encounter on safari like lion, rhino, elephant etc will be too small. A 400mm lens will allow you to get good pictures of the smaller animals like bushbuck, vervet monkey and the like. If you are aiming for bird photographs then a 600 mm lens will do the trick.

2. Your Budget

It's very easy to find lenses that cost thousands of dollars but if you are primarily going to be using it for your safari trip and maybe a smattering of wildlife photography after that, you shouldn't be spending more than a few hundred dollars. It is possible to get a lens of high enough quality for your purpose in that price range.

3. Image Stabilization

It's not imperative but if you can get a lens with an image stabilizer it's a huge advantage on a safari because you can handhold the lens without too much fear of blurring in good light which is especially useful if you are not next to a window in the safari vehicle or don't have enough space to position your beanbag or tripod.

4. Zoom Ability

On safari one lens is better than two because of the nature of your subject. When you come across a leopard you won't have time to switch lenses on your camera body because they tend not to stick around for too long so one lens with a good zoom is a big advantage to capture the very shy wildlife you will encounter. Another reason not to change lenses is that dust that is prevalent on an African safari can cause the camera mechanisms to clog up.

So keep these four factors in mind before you make your purchase and if you can find a lens that conforms to all the above requirements than you have a winner.

Here is how to choose the best wildlife camera for your safari and which specific cameras come out tops in the compact and SLR categories.

These are the four best African photo safari National Parks and Game reserves.

Article Source: http://EzineArticles.com/?expert=Bruce_Whittaker

Saturday, June 26, 2010

Olympus SP-800UZ , Portable Ultrazoom

Back up your DSLR system with the 14-megapixel Olympus SP-800UZ, which comes with an impressive 30x optical zoom lens, the equivalent of a 28-840mm ƒ/2.8-5.6 in 35mm format. The Dual Image Stabilization system combines sensor-shift stabilization with high ISO sensitivity and fast shutter speeds to compensate for camera shake. By simply hitting a button, the camera records 720p HD video. The three-inch LCD features a wide viewing angle and anti-glare technology, helping you compose and shoot even under bright sunlight. The 12-megapixel SP-600UZ has a 28-420mm ƒ/3.5-5.4 (35mm equivalent) lens, a 2.7-inch LCD and records video.



Estimated Street Price: $349 (800UZ); $249 (600UZ).
www.getolympus.com.


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